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The Phoenician Scheme: A New Genre for Wes Anderson
There’s an earnest thread of hope in Wes Anderson’s The Phoenician Scheme, despite its anti-hero being a monument of corruption. Like many of Anderson’s movies (The Royal Tenenbaums, Asteroid City, The Life Aquatic with Steve Zissou, Fantastic Mr. Fox), his latest film focuses on a deeply flawed father who is determined to better connect to his brood. The biggest obstacle in his mission is always the man himself. But Anderson finds new flair in this film by playing within a new genre: the espionage thriller.
The Phoenician Scheme is a father-daughter story.
Benicio del Toro stars as notorious businessman Zsa-zsa Korda; he has no loyalty to nations, an unfettered ambition for wealth, and a reputation for international scheming and rampant corruption. He also has 10 children, including his eldest and only daughter Liesl (Mia Threapleton), who is preparing to take her vows as a nun. Well, that is unless the irreligious Korda has his say.
Hated by world governments, spy agencies, and business rivals, Korda has the peculiar accomplishment of having survived a series of assassination attempts, including six plane crashes. Fearing his time may be running out, he reconnects with his estranged novitiate to compel her to leave the church and become the heiress to his fortune. But first, she has to be the assistant in his latest enterprise, “The Phoenician Scheme.”
Benicio del Toro and Mia Threapleton: A Dynamic Duo
It’s more than a generation gap that lies between the two, as Liesl harbors deep resentments against a father too emotionally guarded to accept responsibility for his shortcomings. Del Toro manages both modes, the softly grumbling patriarch and the hollering con man, with aplomb. Threapleton proves a perfect scene partner for del Toro, rippling with tremors of emotion, ranging from annoyance to curiosity to protectiveness and love.
The conflict between the aural and visual elements is portrayed in various comedic scenes in the film. Anderson pays homage to the silent film era, reminiscent of Buster Keaton, with characters using physical comedy to face dangerous situations and striking exaggerated poses despite their stoic expressions. Whether confronting an assassin or chasing a family enemy, the film’s stars exude a delightful sense of humor. Michael Cera, in particular, shines as a tutor infatuated with Liesl, delivering laugh-out-loud moments.
Michael Cera’s Perfect Fit in a Wes Anderson Movie
In his role as bug expert Bjorn, Cera initially remains in the background, characterized by his blonde hair and the baggage he carries, symbolizing his status as one of Korda’s acquisitions. However, Bjorn’s pursuit of Liesl reveals a more confident and alluring side to him. With a gentle Swedish accent, Cera skillfully portrays both the silly and serious aspects of Bjorn, seamlessly transitioning between earnest discussions on insects and more self-assured moments of charm. His interactions with del Toro and Threapleton showcase a perfect balance of humor and sincerity.
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Featuring a talented ensemble cast, The Phoenician Scheme brings together a mix of seasoned collaborators like Bill Murray and Willem Dafoe, alongside newer additions like Bryan Cranston and Tom Hanks, all seamlessly fitting into the film’s unique narrative of corruption and family dynamics. Unlike some movies where actors struggle to find the right tone, each member of the ensemble contributes effectively to the intricate puzzle crafted by Anderson.
Despite some criticisms labeling it as one of Anderson’s weaker works, The Phoenician Scheme maintains the director’s signature style while delving into themes of masculinity and family relationships. The film ultimately offers a hopeful narrative about finding love, family, and redemption despite our imperfections.
The Phoenician Scheme is currently showing in theaters.
UPDATE: Jun. 4, 2025, 2:30 p.m. EDT “The Phoenician Scheme” was reviewed out of the Cannes Film Festival. This article, originally published on May 24, 2025, has been updated with current viewing information.
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